Big Lyttle Lies
ISSUE #58
Another long-standing commission, this time from the designer of my beautiful logo, and technically also my g.f. She's wanted me to do this since maybe Issue #1, and I kept putting it off because it's like what am I, HBO sponcon?! (This is where we laugh). Now's perfect timing, though, with Season 2 up on Sunday.
I mainly remember the show from being the thing I watched before Twin Peaks: The Return my first summer in Atlanta, when I was poor enough that I couldn't afford anything but canned tuna. My roommate found a bag of Strawberry Fanta syrup at work, the kind that's supposed to go straight into the soda machine. I would splash a bit of that in vodka and return to the sea-foam haze of Monterey every week. That was my bachelor life. It wasn't a show I loved with my whole heart, but it was a perfect respite from my musty basement apartment on a trash-strewn freeway. Just seeing rooms that big was nice, even on TV. Later, loving someone who loved it, it grew fondly in my memory, like a patch of salt-sprayed moss.
The soundtrack was one of the show's big selling points. Playing picnic table slow jams over a domestic thriller made the whole thing hum with mystery. The songs are like a white noise machine, but instead of rain it's the sound of a summer under the fairy lights. It's a nice vibe to return to on long drives or lonely nights. This playlist has my own version of things; some songs that I think are synonyms. Consider it my thesaurus for the soundtrack.
Come to my place Sunday, we'll put it on the big screen!
I’ve been watching through the films of Danny Boyle. Some examples: Trainspotting, Sunshine, 28 Days Later, Slumdog Millionaire. From early on, Boyle was rightfully recognized for his edgy and sophisticated musical taste—the Trainspotting soundtrack alone, from Iggy’s “Lust for Life” through Underworld’s “Born Slippy (Nuxx)”, helped define the tastes of a whole generation.