Environments

Music abounds in nature—not to get all new age about it, but you know it’s true. There’s a particular field recording artist I love to listen to when I’ve had a hijacked-by-my-own-body panic day like today. Irv Teibel, who released the influential Environments records over ten years from 1969–79, was a pioneer in putting field recordings (i.e., nature sounds) into the hands of stressed-out college students and, eventually, anyone who needed to drown out all the noise. Turns out that was a lot of people.

You might imagine Teibel simply walked out the door and recorded what was around him, as I once thought. In reality, he was more of a tinkerer than a strict observer. On the wonderful “Wood-Masted Sailboat,” he constructs a boat-ride lullaby out of 24 separate tracks, including seagulls from Virginia, bell buoys from Long Island, an old chronometer from a Lexington Avenue clock shop, and a boom over a creaking mast. He once claimed to have dumped thousands of crickets onto a soundstage because recording would be clearer indoors.

While this may support the argument of those who cried “scam” at the time (Lester Bangs being one), I find it just as impressive. Here is an editor, so dedicated to a vibe, that he will take razor blade to magnetic tape just to get the mix right. It’s like those who make playlists in lieu of recording albums. I’ve long been too afraid to dedicate an issue solely to field recordings (such a corny thing). But it was bound to happen eventually, so here it is. Dust to dust and all—we all share everything eventually.


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Fireworks Fall